You are here:

The City

Name: The City
Director: Živojin Pavlović, Vojislav 'Kokan' Rakonjac, Marko Babac
Released: 1963
Duration: 80 min

Representation Score

7.6/10

Good

1963

Director

Živojin Pavlović, Vojislav 'Kokan' Rakonjac, Marko Babac

Runtime

80 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film's strength lies in its commitment to the Yugoslav Black Wave movement, which rejects idealized social realism. By focusing on the psychological toll of urban life and systemic decay, the film offers a gritty, naturalist critique of society rather than state-sanctioned optimism. However, the film lacks specific, verifiable data regarding individual character identities. While the thematic intent challenges traditional depictions, the absence of clear representation for LGBTQ+ identities and specific disabilities limits the overall score. Ultimately, the work functions as a study of alienation. It succeeds in deconstructing social harmony through its focus on melancholy, even if specific demographic representation remains unconfirmed.

Watch this, not that →

Category Breakdown

Does The City have LGBTQ+ representation?

Fair

The film focuses on urban alienation and melancholy. There is no explicit evidence of specific LGBTQ+ identities or narratives that challenge traditional assumptions about sexuality and gender.

How does The City portray gender?

Fair

The three stories explore interpersonal dynamics and emotional vulnerability. Characters often appear as victims of an indifferent metropolitan environment, though specific gendered experiences are not detailed.

How racially and ethnically diverse is The City?

Fair

Set in a 1960s Yugoslavian landscape, the film likely reflects a multi-ethnic reality. The directors typically favor authentic social realism over idealized, homogeneous casting.

How does The City represent religion and culture?

Excellent

The narrative prioritizes subjective emotional states over traditional communalist or patriotic ideals. This focus on individual struggle against urban systems aligns with a progressive critique of societal structures.

Does The City include disability representation?

Fair

Themes of depression and melancholy touch upon mental health. However, it is unclear if neurodivergence or specific disabilities are portrayed with ability to act or as plot devices.

Present on Screen

Rejects idealized socialist realism in favor of gritty, naturalist portrayals of social alienation.
Prioritizes complex psychological states and individual struggles over traditional patriotic ideals.
Uses a multi-story structure to explore the human condition within an indifferent urban system.

Limited or Absent

Lacks explicit evidence of specific LGBTQ+ identities or narratives that challenge traditional assumptions.
Provides insufficient detail regarding the ability to act or portrayal of characters with disabilities.
Character-specific demographic data is limited, making it difficult to verify diverse representation.

Official Synopsis

Three stories (Love, Heart, The Hoop) set in the urban, alienated world of a big city. It tells how thin is the line between melancholy and depression.

How are these scores produced? →