The Long Way Home
2015
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Representation score: 3.7 out of 10
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A Taxi Driver
Representation Score
2.8/10
Limited
2017
Not RatedDirector
Jang Hoon
Runtime
138 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Taxi Driver is a historical critique of state-sponsored violence and authoritarianism. It succeeds by questioning the legitimacy of state institutions and highlighting the power of ordinary citizens against systemic oppression. However, the film lacks progress in LGBTQ+ and gender-diverse representation. Its narrative structure remains anchored in traditional patriarchal dynamics and male-centric social interactions.
Category Breakdown
Does A Taxi Driver have LGBTQ+ representation?
The film centers on traditional family structures and male camaraderie, without representing non-binary or transgender identities or challenging assumptions about gender.
How does A Taxi Driver portray gender?
Gender roles adhere to traditional hierarchies, with the protagonist embodying a patriarchal provider role. Female characters are confined to domestic duties or minor supporting roles.
How racially and ethnically diverse is A Taxi Driver?
The story includes a German journalist, providing an international perspective that challenges a purely national narrative.
How does A Taxi Driver represent religion and culture?
The narrative criticizes centralized state authority and military oppression, emphasizing human rights and democratic truth over state-sanctioned patriotism.
Does A Taxi Driver include disability representation?
There are no significant portrayals of visible or invisible disabilities that play a central role in the narrative.
Present on Screen
- Strong cultural representation through the critique of authoritarianism and state-sanctioned narratives.
- Effective use of an international perspective via the German journalist to validate local struggles.
- Sophisticated focus on how macro-political shifts impact individual social identities.
Limited or Absent
- Lack of LGBTQ+ representation or non-assuming gender matches what was assigned at birth identities.
- Limited gender diversity, with female characters having little influence in the central conflict.
- Adherence to traditional gender hierarchies and patriarchal family structures.
Official Synopsis
May, 1980. Man-seob is a taxi driver in Seoul who lives from hand to mouth, raising his young daughter alone. One day, he hears that there is a foreigner who will pay big money for a drive down to Gwangju city. Not knowing that he’s a German journalist with a hidden agenda, Man-seob takes the job.
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