
The Sorcerers
1967

Representation Score
Limited
1963
PGDirector
Reginald Le Borg
Runtime
96 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Diary of a Madman is a product of its time, emphasizing classical psychological horror over diverse representation. The narrative structure adheres to traditional studio conventions, focusing on a single male protagonist's descent into madness. The film lacks diversity across various categories, reflecting the homogeneous European demographics and social structures of the early 1960s. It relies on established genre formulas rather than challenging social norms. While the film delves into psychological deterioration, it does so through a supernatural horror lens rather than offering meaningful representation for underrepresented groups or diverse identities.
Category Breakdown
The film doesn't include any LGBTQ+ identities or same-sex relationships. It follows the social norms of 1963 without questioning the assumption that everyone is straight or cisgender.
The story focuses on Simon Cordier, a male magistrate with significant institutional power. It doesn't challenge traditional gender roles or show masculinity as ineffective.
Set in France, the film portrays a homogeneous European population. There's no indication of diverse ethnic groups or actors playing roles outside their traditional backgrounds.
The story uses the protagonist's role as a legal representative to explore his decline. It doesn't portray Western institutions as inherently oppressive or corrupt.
The protagonist experiences a psychological breakdown that fits the supernatural horror plot. The depiction focuses on traditional horror themes of madness rather than a nuanced portrayal of mental health issues.
Present on Screen
Limited or Absent
Official Synopsis
Simon Cordier, a French magistrate and amateur sculptor comes into contact with a malevolent entity. The invisible - yet corporeal - being, called a "horla" is capable of limited psychokinesis and complete mind control.

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