
Matchmaking Hussar
1980

Representation Score
Limited
1981
Director
Yevgeny Matveyev
Runtime
82 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Crazy Money is a period comedy that emphasizes a critique of economic values over identity-based representation. Using its mid-19th-century setting, the film exposes the superficiality of social status and the deceitfulness of wealth. While the film effectively critiques capitalist materialism, it lacks a diverse range of identities. The narrative structure centers on class distinctions and moral accountability rather than contemporary frameworks of race, gender, or orientation.
Category Breakdown
The film does not include any LGBTQ+ characters or representations of non-straight relationships. The plot revolves around a conventional romance between Savva and Lidiya.
Female characters such as Lidiya and Nadezhda play key roles through social maneuvering. However, their actions are confined to traditional standards of beauty and marriageability to ensure economic security.
The setting depicts a uniform ethnic makeup typical of mid-19th century Moscow. Social divisions stem from rural versus urban status rather than ethnic diversity.
The narrative criticizes capitalist materialism and highlights the corruption associated with wealth. It dismantles the ideal of the wealthy son-in-law to emphasize moral failings.
There is no representation of physical or neurodivergent disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Moscow mid-XIX century. Middle-aged provincial businessman Savva Gennadievich Vasilkov falls in love with local beauty Lidiya Yuryevna Cheboksarova. Wanting to meet her, he asks his new acquaintance Telyatev to introduce himself as Cheboksarov. Telyatev and his friend Glumov decide to play the mother of Lidiya, Nadezhda Antonovna, who wants to get a rich son-in-law, and recommend Vasilkov as a gold mining millionaire from Siberia. Savva Gennadievich begins to visit the Cheboksarovs house, but his provincialism and Lydiya’s intention to create a brilliant party due to their beauty prevent them from finding a common language.

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1980
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