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The Dolls

Name: The Dolls
Director: Franco Rossi, Mauro Bolognini, Luigi Comencini, Dino Risi
Released: 1965
Duration: 107 min

Representation Score

3.5/10

Limited

1965

Not Rated

Director

Franco Rossi, Mauro Bolognini, Luigi Comencini, Dino Risi

Runtime

107 minutes

Average Rating

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New Showbiz Analysis

The Dolls is made up of four separate stories that serve as a social commentary on post-war Italy. Its fragmented structure allows for diverse vignettes of romantic and social interactions, using satire to explore societal norms. However, the film's critique is limited by the era's cinematic standards. It does not feature racial diversity or provide explicit representation of LGBTQ+ identities or characters with disabilities, reflecting the homogeneous social focus of 1960s Italian cinema.

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Category Breakdown

Does The Dolls have LGBTQ+ representation?

Limited

The film follows the conventions of 1960s Italian romantic comedies and does not explicitly depict non-straight or non-cisgender identities. It also does not challenge the assumption that everyone is straight or cisgender.

How does The Dolls portray gender?

Fair

Female characters play key roles in creating comedic tension within the sex comedy genre. The film explores changing social norms, but it is unclear whether it challenges or reinforces traditional gender hierarchies.

How racially and ethnically diverse is The Dolls?

Limited

The film portrays a homogeneous Mediterranean society typical of 1960s Italian cinema. There is no indication of significant racial diversity or non-white actors in these scenes.

How does The Dolls represent religion and culture?

Fair

Segments such as 'Monsignor Cupid' highlight the tension between secular modernity and religious institutions. The film critiques social hypocrisy and institutional authority through these themes.

Does The Dolls include disability representation?

Minimal

There is no information about characters with physical or neurodivergent disabilities in the film.

Present on Screen

Uses satire to critique social hypocrisy and institutional authority.
Explores the tension between secular modernity and traditional religious influence.
Provides varied perspectives on intimacy through its anthology format.

Limited or Absent

Lacks significant racial or ethnic diversity within the cast.
Does not include explicit representation of LGBTQ+ identities.
Does not feature characters with physical or neurodivergent disabilities.

Official Synopsis

This semi-amusing sex (romance) comedy has four separate stories: "The Telephone Call", written by Rodolfo Sonego, directed by Dino Risi. "A Treatise on Eugenics", written by Tullio Pinelli from a story by Luciano Salce and Steno, directed by Luigi Comencini. "The Soup", written by Rodolfo Sonego and Luigi Magni, directed by Franco Rossi. "Monsignor Cupid", written by Leo Benvenuti and Piero de Bernardi from a story by Boccaccio, directed by Mauro Bolognini.

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