The film operates within a strictly heteronormative framework. It lacks significant LGBTQ+ characters and does not engage with queer subtext or non-cisnormative identities.

The narrative explores gendered power dynamics by centering on Diana's emotional and intellectual autonomy. It highlights how patriarchal institutional norms frequently stifle her agency.

The cast is predominantly white and Anglo-Saxon, reflecting the social constraints of the British monarchy. The focus remains on domestic struggles rather than global diversity.

The film critiques the coldness of Western institutions and the intrusive media apparatus. It frames the monarchy as a source of isolation rather than a traditionalist ideal.

There is no substantive focus on visible or invisible disabilities. Mental health is treated as a psychological response to pressure rather than through a disability lens.