You are here:

Saut à la couverte

Name: Saut à la couverte
Director: Auguste Lumière, Louis Lumière
Released: 1896
Duration: 1 min

Representation Score

1.1/10

Minimal

1896

Director

Auguste Lumière, Louis Lumière

Runtime

1 minutes

Average Rating

No ratings yet

New Showbiz Analysis

As a primitive 'actualité' from the dawn of cinema, this short functions as a brief, unscripted capture of a specific moment. Its extreme brevity and non-narrative nature mean it lacks the character arcs or dialogue necessary to explore ability to act or systemic power dynamics. The film primarily serves as a historical record of late 19th-century social structures and everyday life, without engaging in intentional ideological messaging or the deconstruction of social hierarchies. Due to its lack of structural complexity, it cannot address progressive representation or diverse identities in any meaningful way.

Watch this, not that →

Category Breakdown

Does Saut à la couverte have LGBTQ+ representation?

Minimal

The film is a brief observational clip of a physical activity and does not include any representation of LGBTQ+ identities or narratives that challenge the assumption that everyone is straight or cisgender.

How does Saut à la couverte portray gender?

Limited

The film depicts a traditional physical activity and avoids harmful stereotypes, but it does not have the complexity needed to evaluate the subversion of gender hierarchies.

How racially and ethnically diverse is Saut à la couverte?

Limited

The casting reflects the homogeneous demographic of late 19th-century France, and there is no evidence of diverse casting or challenging Anglo-centric norms.

How does Saut à la couverte represent religion and culture?

Fair

The film captures a moment of traditional social interaction and functions as a neutral observation of contemporary life without engaging in social or political commentary.

Does Saut à la couverte include disability representation?

Minimal

There is no visible or invisible disability portrayed, nor is disability used as a narrative device.

Present on Screen

Provides a primary historical record of late 19th-century social structures and everyday life.

Limited or Absent

Lacks the narrative complexity required to address ability to act or systemic power dynamics.
Does not engage with diverse identity narratives or multi-layered casting.
Provides no commentary on social, political, or religious structures.

Official Synopsis

Jumping the Blanket.

How are these scores produced? →