The film follows a strictly heteronormative framework. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the romantic conflicts.

The story relies on mid-century 'battle of the sexes' tropes. While Audrey Hepburn's character possesses wit, the dynamics largely reinforce established 1960s gender hierarchies.

Casting is predominantly white and Western, reflecting the demographic homogeneity of mid-century Hollywood. The film lacks significant presence of characters of color.

The narrative functions as Western escapism, prioritizing a sophisticated, consumerist aesthetic of European travel. It reinforces traditional social norms without engaging in cultural deconstruction.

The film does not feature characters with visible or invisible disabilities. It avoids themes involving neurodivergence or chronic illness.