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Kickin' the Crown Around

Name: Kickin' the Crown Around
Director: Sam White
Released: 1933
Duration: 19 min

No Poster Available

Representation Score

0.5/10

Minimal

1933

Passed

Director

Sam White

Runtime

19 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Kickin' the Crown Around is a period-specific comedy that prioritizes a plot-driven pursuit of smugglers over character-driven identity exploration. The narrative follows a traditional framework centered on a black market for food commodities. Because the story focuses on the procedural hunt for smugglers, it relies on conventional comedic clichés of the early 1930s. This approach leaves little room for challenging social hierarchies or including multi-layered representation. Ultimately, the film reflects the dominant demographics and social structures of its era, offering a narrow view of representation.

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Category Breakdown

Does Kickin' the Crown Around have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ identities. The narrative focuses solely on a typical comedic chase.

How does Kickin' the Crown Around portray gender?

Limited

The story revolves around the duo Clark and McCullough. There is minimal indication of women taking active roles or significant female presence.

How racially and ethnically diverse is Kickin' the Crown Around?

Minimal

The plot centers on a local smuggling conflict. It does not feature any diverse or non-Anglo-Saxon cast.

How does Kickin' the Crown Around represent religion and culture?

Limited

The film adheres to traditional frameworks of law and commerce. It does not challenge Western institutions or cultural norms.

Does Kickin' the Crown Around include disability representation?

Minimal

No characters with visible or invisible disabilities are present in the narrative.

Present on Screen

The film offers a clear, plot-driven comedic structure centered on a specific black market conflict.

Limited or Absent

The narrative lacks diverse character identities and fails to explore perspectives reflecting multiple aspects of diversity.
The focus on a male-centric duo limits the representation of women's ability to drive the story.
There is no evidence of racial, cultural, or disability-related representation within the story.

Official Synopsis

Smugglers are on the loose and a thriving black market in salami is plaguing the nation. Clark and McCullough are hired to catch the smugglers. They are soon up to their ears in salami.

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