The film lacks any discernible LGBTQ+ characters or narrative arcs. It operates within a traditional heteronormative framework, focusing almost entirely on the biological dichotomy between vampires and humans.

Agency is primarily concentrated in the male protagonist, Edward Dalton. While Mia holds a significant role, the narrative adheres to conventional gender dynamics and traditional masculine leadership in scientific pursuits.

The setting prioritizes species-based social stratification over race or ethnicity. While the cast shows some multi-ethnic presence, the narrative flattens ethnic distinctions to focus on the biological class struggle.

The film offers a sophisticated critique of Western institutions and anti-capitalist themes. It uses the corporatization of blood to metaphorically explore resource exploitation and the dehumanization of the working class.

Vampirism is treated as a biological metamorphosis rather than a representation of disability. The film does not explicitly feature characters whose identities or agency are defined by physical or neurodivergent disabilities.