You are here:

Days of Nietzsche in Turin

Name: Days of Nietzsche in Turin
Director: Júlio Bressane
Released: 2002
Duration: 85 min

Representation Score

5.9/10

Fair

2002

Director

Júlio Bressane

Runtime

85 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Júlio Bressane’s film is a radical disruption of cinematic norms, prioritizing philosophical interrogation over traditional storytelling. It deconstructs Western values and traditional morality, offering a critique of institutional stability. While the film excels in cultural subversion, it remains rooted in a Eurocentric historical context, limiting its engagement with broader racial and identity-based representation.

Watch this, not that →

Category Breakdown

Does Days of Nietzsche in Turin have LGBTQ+ representation?

Fair

The film explores non-conformity through philosophical ideas but does not depict specific LGBTQ+ identities.

How does Days of Nietzsche in Turin portray gender?

Good

It avoids traditional masculine leadership narratives, focusing instead on a fragmented, psychological exploration of the self.

How racially and ethnically diverse is Days of Nietzsche in Turin?

Fair

The Eurocentric setting limits engagement with diverse racial backgrounds, functioning more as a critique of Western intellectual history.

How does Days of Nietzsche in Turin represent religion and culture?

Excellent

The narrative challenges religious and moral critiques, aligning with themes of secularism and questioning institutional authority.

Does Days of Nietzsche in Turin include disability representation?

Minimal

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within this experimental work.

Present on Screen

Offers deep cultural subversion through critiques of Western institutional authority.
Deconstructs traditional morality and the 'herd mentality' using Nietzschean themes.
Challenges conventional narrative structures and patriarchal hierarchies.

Limited or Absent

Limited engagement with racial and ethnic diversity due to its Eurocentric focus.
No specific depictions of LGBTQ+ identities.
No discernible representation of physical or neurodivergent disabilities.

Official Synopsis

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

How are these scores produced? →