
Bad Nun: Deadly Vows
2020

Representation Score
Minimal
2014
RRuntime
101 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Matthew 18 functions as a genre-driven horror film that explores the friction between individual identity and inherited religious structures. The narrative centers on a protagonist seeking secular independence from a deeply religious family background. The film's strength lies in its thematic deconstruction of traditional institutions. By framing religious legacy as a source of evil, it prioritizes individualistic values over dogma. However, the film lacks specific data regarding racial, ethnic, or LGBTQ+ representation. Without more information on the cast or broader character dynamics, the representation remains limited to the protagonist's ideological struggle.
Category Breakdown
The film does not include any LGBTQ+ characters or themes. There is no mention of non-straight identities within the narrative.
Michelle Jamieson serves as a central female protagonist pursuing a professional medical career. Her journey involves asserting control against traditional familial or patriarchal control.
The narrative lacks information regarding the racial or ethnic composition of the cast. No specific demographic details are provided.
The story explores the tension between secular autonomy and religious tradition. It portrays religious institutions as potentially oppressive or a source of family secrets.
There is no mention of characters navigating physical, neurodivergent, or mental health conditions. No disability representation is present in the context.
Present on Screen
Limited or Absent
Official Synopsis
When Michelle Jamieson is accepted in the medical program at the University of Minnesota, she is eager to find her own path away from her deeply religious family. But when she stay in a Minneapolis mansion belonging to her family for generations, she begins to encounter strange and unexplainable occurrences. As she is forced to investigate, what she uncovers is a world of family secrets and unspeakable evils.

2020

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