Kiss Kiss Kiss
1964

Representation Score
Fair
1965
Director
Tadanori Yokoo
Runtime
8 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tadanori Yokoo’s animation serves as a postmodern pastiche that challenges the sanctity of mid-century Western stardom. It blends Western cinematic archetypes with unexpected musical figures in a chaotic, iconoclastic manner. The film effectively critiques institutional authority and traditional morality through cultural subversion. However, it lacks depth in addressing various aspects of diversity. Its heavy focus on Anglo-Saxon celebrity archetypes and the absence of diverse racial or disability representation limit its inclusivity.
Category Breakdown
The film centers a violent, non-traditional relationship between Alain Delon and Brigitte Bardot, challenging the stability of traditional romantic partnerships. It questions the conventional pairing of famous actors.
Female stars like Elizabeth Taylor and Brigitte Bardot lose their typical glamorous roles, instead facing the consequences of domestic destruction. The narrative focuses on the aftermath of this upheaval rather than traditional male leadership.
The film primarily features Western celebrities, particularly French and British icons, with no indication of a diverse cast or ethnic representation.
The work uses the deaths of pop culture icons as surreal triggers, critiquing the authority of pop culture and emphasizing a chaotic, subjective reality.
There are no visible or invisible disabilities shown or used as plot devices in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
After Alain Delon murders Elizabeth Taylor, he and Brigitte Bardot face attacks from The Beatles, hired by Richard Burton to kill the French couple and take revenge for his wife's death.
1964

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