
24 Frames
2018

Representation Score
Fair
1988
Director
Rob Tregenza
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Rob Tregenza’s debut is an experimental film that prioritizes breaking down traditional cinematic norms over telling a straightforward story. By using a non-linear, randomized structure, the film challenges conventional narrative forms and hierarchies. The film excels in its cultural representation, particularly in its engagement with religious skepticism and situational ethics. Its depiction of urban life through fragmented encounters offers a fresh, non-traditional viewing experience. However, the film does not offer explicit representations of LGBTQ+ identities or disabilities, nor does it clearly document subversions of gender hierarchies.
Category Breakdown
The film explores urban archetypes through episodic encounters, avoiding clear representations of LGBTQ+ identities. Its fragmented structure hints at a move away from traditional assumptions about straight relationships.
Through episodic interactions, the film disrupts conventional gender expectations without a traditional storyline. However, it does not provide clear examples of challenging gender hierarchies.
The urban setting and diverse cast, including actors like Caron Tate and Henry Strozier, suggest a multi-ethnic environment that contrasts with the homogeneous white suburbs often seen in 1980s films.
The film centers on subjective morality and secular inquiry, engaging with religious skepticism through philosophical debates and critiques of societal norms.
There is no specific evidence regarding the portrayal of physical or neurodivergent disabilities within the film's segments.
Present on Screen
Limited or Absent
Official Synopsis
An aspiring writer wanders through a city looking for inspiration. Over the course of a day, he has nine distinct encounters.

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