The film follows conventional romantic structures typical of early 1990s masala cinema. It lacks non-cisnormative identities, focusing instead on traditional romantic pairings.

Narrative agency is centered almost entirely on the male protagonist. Female characters primarily serve as romantic interests or emotional support, reinforcing standard gendered tropes.

The fantastical setting allows for various ethnic identities within a South Asian context. However, the film lacks the intersectional depth needed for a higher score.

The story relies on mythological elements and classical moral structures. It focuses on restoring a monarchy rather than exploring secularism or modern social critiques.

The film emphasizes physical heroism and magical prowess. There is no significant evidence of characters with disabilities possessing meaningful agency in the story.