The film contains no LGBTQ+ characters or non-cisnormative identities. The narrative focuses entirely on the kinetic, predator-prey dynamic between anthropomorphic animals.

There are no female characters present to challenge or reinforce social hierarchies. The conflict centers on a binary of hunter and hunted, avoiding gendered tropes through total absence.

The Sahara Desert and French Foreign Legion setting serve as backdrops. Because the characters are anthropomorphic animals, the narrative abstracts away from human racial or ethnic complexities.

The film adheres to traditional mid-century comedic structures. It lacks engagement with systemic critiques, secularism, or the deconstruction of Western institutions and social power dynamics.

There is no depiction of physical, sensory, or neurodivergent disabilities. Characters function within standard slapstick physical parameters without utilizing disability as a plot device.