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2/60: 48 Heads from the Szondi-Test

Name: 2/60: 48 Heads from the Szondi-Test
Director: Kurt Kren
Released: 1960
Duration: 4 min

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Representation Score

3.1/10

Limited

1960

Director

Kurt Kren

Runtime

4 minutes

Average Rating

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New Showbiz Analysis

Kurt Kren’s experimental work emphasizes mathematical montage and formalist abstraction over traditional storytelling. Since the film is a non-narrative study of portraits, it lacks the character-driven elements needed for high diversity scores. The film disrupts conventional cinematic consumption and avoids traditional clichés through its structural approach. It offers a broad but fragmented survey of human faces, avoiding the homogeneity found in many narrative films. Overall, the work remains a neutral exercise in perception. It does not engage with sociopolitical themes or the lived experiences of specific identity groups.

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Category Breakdown

Does 2/60: 48 Heads from the Szondi-Test have LGBTQ+ representation?

Minimal

The film focuses on portraits rather than character-driven stories and does not include any LGBTQ+ characters or narratives.

How does 2/60: 48 Heads from the Szondi-Test portray gender?

Minimal

The film does not establish gender dynamics or engage with gender hierarchies. It also does not show individuals taking control over their own actions.

How racially and ethnically diverse is 2/60: 48 Heads from the Szondi-Test?

Limited

The film presents 48 portraits that offer a fragmented visual survey of human faces. While it avoids a uniform cast, it lacks specific information about ethnic composition.

How does 2/60: 48 Heads from the Szondi-Test represent religion and culture?

Fair

The film follows a secular, scientific, and psychoanalytic approach, focusing on clinical observation rather than religious or traditional moral storytelling. It remains a neutral, formalist exercise.

Does 2/60: 48 Heads from the Szondi-Test include disability representation?

Fair

The film highlights neurodivergence and mental health issues using a diagnostic tool but does not provide meaningful representation of lived experiences.

Present on Screen

Disrupts conventional cinematic consumption through a rigorous, mathematical approach to montage.
Avoids the 'homogeneous trap' of traditional cinema by presenting a variety of human subjects.
Deconstructs the normative gaze by focusing on psychological predispositions and mental impulses.

Limited or Absent

Lacks intentional diverse casting or specific data about ethnic composition.
Does not provide meaningful representation of lived experiences related to disability or neurodivergence.
Does not engage with character-driven ability to act or sociopolitical storytelling.

Official Synopsis

Kren's second film and the first he cut according to a strictly serial, sequence technique: in various frame sizes, the 48 portraits from the Szondi Test for "experimental diagnosis of human impulses" are shown in pre-specified lengths (between one and eight frames).

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