
Alouette
1944

Representation Score
Minimal
1943
Director
Alexandre Alexeieff
Runtime
2 minutes
Average Rating
No ratings yetNew Showbiz Analysis
En passant is an experimental technical achievement rather than a narrative film. Its focus is on the sensory experience of pinscreen animation rather than social representation. The film's strength lies in its disruption of conventional storytelling. By favoring abstraction over linear, moralistic plots, it challenges the character-centric frameworks typical of mid-20th-century cinema. However, the work's non-figurative nature means it lacks the capacity to represent specific identity groups. It functions as an avant-garde piece of art rather than a vehicle for social commentary.
Category Breakdown
The film uses abstract pinscreen animation focusing on texture and light. Since the work doesn't show human figures, it doesn't depict gender identity or sexual orientation.
The non-linear narrative avoids traditional social structures. Without character-driven dialogue or recognizable human figures, the film doesn't engage with or challenge gender hierarchies.
The surreal, dreamlike imagery focuses on the interplay of shadow rather than depicting specific racial or ethnic identities.
The film serves as a visual accompaniment to French-Canadian folk music. It prioritizes artistic expression and fragmentation over reinforcing traditional religious or institutional values.
The abstract visual language doesn't include human characters. Therefore, the film doesn't address physical or neurodivergent representation.
Present on Screen
Limited or Absent
Official Synopsis
Pinscreen animation short made for the NFB's "Chants populaires" series of French-Canadian folk songs. En Passant illustrates the song "Et moi je m'enfouiyais."

1944

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1931

1949

1958
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