
Eso que tú me das
2020

Representation Score
Fair
2020
Director
Óscar Sánchez, Albert Domènech
Runtime
72 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Nou Set Dos. Crepúsculo electrónico serves as a cultural document of a specialized musical movement. It successfully presents a global, international community that challenges mainstream social norms through its diverse cast of electronic music pioneers. However, the film faces challenges in gender representation, potentially mirroring the industry's historical lack of parity in DJing and production roles. The absence of specific female-led narratives or clear disability representation limits its overall impact. Ultimately, the documentary's strength lies in its ability to center a subculture that values communal expression and non-traditional social structures, offering a more layered view of the genre's evolution.
Category Breakdown
The film highlights the electronic music scene as a welcoming space for diverse identities. Though specific LGBTQ+ character stories are not detailed, the subculture's inclusiveness adds value.
The documentary touches on the historical gender imbalance in techno and electronic music production. However, it doesn't provide clear examples of female-led narratives, which might reinforce traditional male-dominated structures.
An international cast of music pioneers helps create a global perspective. Figures like Jeff Mills and Ken Ishii contribute to a more inclusive view of electronic music history.
The film focuses on secular, communal values found in nighttime subcultures. It emphasizes decentralized social spaces and rhythmic freedom over traditional Western social structures.
There is no specific evidence regarding the portrayal of visible or invisible disabilities within this documentary.
Present on Screen
Limited or Absent

2020

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