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At the End of the Day

Name: At the End of the Day
Director: Kevin O'Brien
Released: 2018
Duration: 108 min

Representation Score

4.5/10

Fair

2018

Not Rated

Director

Kevin O'Brien

Runtime

108 minutes

Average Rating

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New Showbiz Analysis

At the End of the Day is a specialized narrative that focuses on the friction between religious conservatism and LGBTQ+ advocacy. By centering the plot on a queer youth shelter, the film highlights specific community needs and social spaces. However, the film lacks broad diversity. The focus remains narrow, primarily revolving around the ideological struggle of a male professor, which leaves other important dimensions of identity largely unaddressed. While the critique of institutional religious authority is a strong thematic pillar, the absence of racial, gender, and disability diversity prevents a more comprehensive representation of social complexity.

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Category Breakdown

Does At the End of the Day have LGBTQ+ representation?

Good

The film centers its conflict around a gay support group and the proposal to create an LGBT homeless youth shelter. These community structures highlight the importance of queer identities and social needs in the story.

How does At the End of the Day portray gender?

Fair

The narrative focuses heavily on a male academic figure and his ideological struggles. Female and non-binary characters are notably absent, leaving the story centered around a male perspective.

How racially and ethnically diverse is At the End of the Day?

Limited

The story prioritizes conflicts between religious and sexual identities over racial diversity. There is no mention of a diverse cast or the integration of various racial perspectives.

How does At the End of the Day represent religion and culture?

Good

The plot explores the tension between traditional Christian institutions and modern social movements. It uses a conservative college setting to critique established religious authority.

Does At the End of the Day include disability representation?

Minimal

The film provides no visible representation of characters dealing with physical, mental, or neurodivergent disabilities.

Present on Screen

The film provides a dedicated focus on LGBTQ+ social spaces and the specific needs of queer youth.
It offers a compelling critique of traditional religious institutions through its central conflict.

Limited or Absent

The narrative lacks racial and ethnic intersectionality, focusing almost exclusively on religious and sexual identity.
There is a significant lack of gender diversity, with the story centering on a male protagonist.
The film fails to include any representation of physical or neurodivergent disabilities.

Official Synopsis

A conservative professor at a Christian college finds himself in a gay support group to stop their launch of an LGBT homeless youth shelter in their small town.

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