
At the End of the Day
2018

Representation Score
Good
2014
NRDirector
Earl Goshorn, Mark Goshorn Jones
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tennessee Queer serves as a narrative of cultural disruption. It prioritizes the ability to act of underrepresented individuals by centering the plot on an LGBTQ+ protagonist returning to a conservative environment to advocate for local youth. The film succeeds by framing traditional religious and political structures as systemic challenges to identity. This approach moves the community from a passive backdrop to an active site of identity negotiation. However, the film lacks clarity regarding racial and gender diversity. While the thematic focus is progressive, the specific representation of non-white characters and non-binary individuals remains unverified.
Category Breakdown
The film focuses on the intersection of identity and rural Southern life through a queer protagonist. It avoids common clichés of the closeted rural character.
The narrative challenges traditional hierarchies by centering social advocacy. While specific female or non-binary arcs are unconfirmed, the focus on gay pride suggests a departure from assumptions that everyone is straight or cisgender.
Specific details regarding the racial composition of the cast are unconfirmed. The score reflects a baseline expectation of regional homogeneity common in small-town Tennessee settings.
The story critiques traditional institutions by framing religion and politics as obstacles to liberation. It positions urban values as a corrective to the perceived stagnation of the local community.
There is no evidence regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Religion, politics and gay pride clash in a small Tennessee town when out, proud and living in New York Jason Potts returns home to make life better for the LGBT teenagers.

2018

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