The film adheres to heteronormative structures throughout its runtime. There are no explicit depictions of queer romantic arcs or non-cisnormative identities within the primary cast.

Sidney Prescott subverts the typical victim archetype through high intellect and survivalist agency. Strong female characters like Gale Weathers and Tatum Riley navigate the plot with significant autonomy.

The social environment in Woodsboro is largely homogeneous and white. The film lacks intentional intersectional casting, reflecting the traditional cinematic landscape of the mid-1990s.

The narrative critiques media-driven celebrity culture and the glamorization of crime. It also portrays law enforcement as ineffective, forcing characters to rely on individualist survivalism.

There is no significant or intentional focus on visible or invisible disabilities. Characters are defined by social roles and the central mystery rather than physical or neurodivergent conditions.