
Who We Are Now
2018

Representation Score
Fair
2016
TV-14Director
James Lapine
Runtime
104 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Custody is a character-driven film that emphasizes psychological realism over broad demographic representation. It avoids simplistic moral binaries, focusing instead on the breakdown of traditional domestic stability. The film successfully challenges traditional gender roles but lacks diversity in other identity categories. Ultimately, it provides a narrow perspective on a specific socioeconomic and racial demographic.
Category Breakdown
The film focuses on a typical heterosexual relationship, with no representation of LGBTQ+ identities or stories involving the queer spectrum.
The story challenges traditional gender roles by showing parents who are morally complex and not always stable. Female characters interact enough to meet the Bechdel test.
The casting is mostly white and upper-middle class, with no diversity in race or ethnicity.
The film examines moral relativism and the subjective truths of each parent through a dysfunctional family dynamic.
Psychological issues are presented as part of a high-conflict divorce, but there is no inclusion of visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
When a hard-working single mother, Sara Diaz, has her children taken from her after she is suspected of injuring her son, Ally Fisher, a recent law school graduate, is assigned to represent her case before Judge Martha Schulman, a veteran of the Family Court System.

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