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Who We Are Now

Who We Are Now

2018

NR

Director

Matthew Newton

Runtime

101 minutes

Average Rating

No ratings yet

Synopsis

Recently released from prison, Beth is working with her public defender to get her son back from her sister, who was awarded legal custody while Beth was incarcerated for ten years. Soon after, Beth forms an unlikely alliance with Jess, an idealistic young protégé of the public defense team, who decides to take on Beth's cause whether she likes it or not.

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Diversity & Representation

Overall Score

5.1/10

Fair

Category Breakdown

LGBTQ+ Representation

Fair

The film lacks explicit evidence of queer identities or non-heteronormative characters. The narrative focus remains centered on maternal bonds and legal advocacy.

Gender Representation

Fair

The story highlights female agency through Beth’s struggle for motherhood and Jess’s professional determination. It avoids domestic passivity by placing women in positions of systemic conflict.

Racial & Ethnic Diversity

Minimal

There is no information available regarding the racial or ethnic composition of the cast or characters. Consequently, no score can be assigned.

Religious & Cultural Diversity

Good

The film critiques Western legal and custodial systems as obstacles to personal restoration. It explores situational ethics through the alliance of an inmate and a legal protégé.

Disability Representation

Minimal

The provided context contains no evidence suggesting the inclusion of characters with visible or invisible disabilities.

Strengths

  • Strong focus on female agency and professional determination.
  • Nuanced exploration of systemic friction and institutional critique.
  • Prioritizes the reclamation of identity for marginalized individuals.

Areas for Improvement

  • Lack of visible racial and ethnic diversity in the narrative.
  • Absence of explicit LGBTQ+ representation or queer identities.
  • No evidence of disability representation within the character dynamics.

AI Analysis

Who We Are Now is a social realist drama that prioritizes the agency of individuals navigating the carceral system. The narrative focuses on the friction between institutional authority and personal reclamation, specifically through the lens of a mother attempting to reintegrate into society. The film succeeds in centering female protagonists who drive the plot through professional and personal determination. By focusing on the legal bureaucracy and the struggle for custody, it challenges conventional expectations of social stability. However, the film's diversity profile is limited by a lack of information regarding racial, ethnic, and LGBTQ+ representation. While it offers a progressive critique of institutional infallibility, it remains narrow in its documented intersectional scope.

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