The broadcast lacks any evidence of LGBTQ+ characters or non-cisnormative identities. It adheres to the traditional heteronormative archetypes common in 1988 professional wrestling.

Women are frequently relegated to secondary valet roles rather than central figures. The production reinforces traditional masculine leadership and physical dominance over female agency.

The roster reflects a moderate level of inclusion typical of the era. While the medium allows for high-agency characters of color, it often relies on specific racial tropes.

The event functions as a commercial sporting spectacle aligned with Western entertainment models. It promotes traditional notions of heroism and clear-cut moral binaries.

There is no evidence of characters with visible or invisible disabilities portrayed with agency. Physical perfection remains the standard for this action-oriented entertainment.