
Women Aren't Funny
2014

Representation Score
Excellent
1986
Director
Chantal Akerman
Runtime
8 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Chantal Akerman’s documentary is a structuralist deconstruction of cinematic production and productivity. It stands out by challenging the patriarchal expectation of industriousness, providing a nuanced view of female autonomy. However, the film is narrowly focused, functioning primarily as a localized European study that limits its racial and ethnic diversity. Ultimately, the film’s strength lies in its intellectual subversion of Western work ethics rather than its demographic variety.
Category Breakdown
The film does not explicitly depict same-sex relationships or non-traditional gender identities. However, it challenges typical assumptions about domestic and professional life through its unique narrative structure.
Akerman challenges traditional gender roles by focusing on a female protagonist who rejects conventional labor and achievements. She elevates laziness to a serious subject of inquiry, reclaiming control and independence through passivity and self-determination.
This film is a highly localized, personal study within a European context. It lacks a diverse cast and does not explore multi-layered racial or ethnic themes.
The work critiques capitalist values by framing laziness as a legitimate existential stance. It emphasizes secular, introspective exploration over traditional religious or nationalistic structures.
While the film does not address clinical disabilities, it portrays psychological challenges such as executive dysfunction and inertia with dignity and respect, avoiding mockery.
Present on Screen
Limited or Absent
Official Synopsis
Belgian director Chantal Akerman struggles to overcome her laziness in the name of making a film about the subject.

2014

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