
Doctor Who: The Dominators
1968

Representation Score
Minimal
1967
Director
Morris Barry
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Moonbase is a product of its 1967 historical context, prioritizing traditional adventure serialism over social deconstruction. The narrative structure reinforces mid-century norms rather than challenging them. Representation is minimal across all categories. The cast is culturally monolithic, and the gender dynamics favor a male-dominated ensemble. The story functions as a struggle for order against an external threat, maintaining existing social structures. Ultimately, the production lacks the intentionality required to disrupt cultural norms, resulting in a lack of multi-layered depth.
Category Breakdown
There are no LGBTQ+ characters or depictions of same-sex intimacy in the story. The social framework assumes everyone is straight.
The story is driven by a male-centric ensemble, reinforcing traditional hierarchies. Female characters play supporting roles but have little control over their destinies.
The cast is entirely made up of white British actors. There are no characters of color or racial blending.
The narrative focuses on institutional stability and defending social order. It lacks religious subversion or critiques of established hierarchies.
Jamie’s delirium is used as a standard plot device for creating tension. The story lacks a nuanced exploration of neurodivergence or chronic illness.
Present on Screen
Limited or Absent
Official Synopsis
The TARDIS arrives in 2070 on the Moon, where a weather control station under the command of a man named Hobson is in the grip of a plague epidemic — in reality the result of an alien poison planted by the Cybermen. Jamie is knocked unconscious and lapses into a delirium, leaving the Second Doctor, Ben, and Polly to fight off a massive Cyberman attack.

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1965
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