The Haunting in Connecticut 2: Ghosts of Georgia
2013
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Diversity score: 2.8 out of 10
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The Woman in Black 2: Angel of Death
2014
PG-13Director
Tom Harper
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
40 years after the first haunting at Eel Marsh House, a group of children evacuated from WWII London arrive, awakening the house's darkest inhabitant.
Where to Watch
Diversity & Representation
Overall Score
3.2/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks visible LGBTQ+ characters or narratives. Set during the WWII era, it adheres to a traditional period-piece framework without exploring non-cisnormative identities.
Gender Representation
While female figures drive much of the horror tension, the film relies on traditional genre archetypes. It does not work to subvert established gender hierarchies or power dynamics.
Racial & Ethnic Diversity
The cast appears predominantly homogeneous, reflecting the historical setting of wartime England. There is no evidence of diverse casting used to disrupt the era's social norms.
Religious & Cultural Diversity
The story utilizes wartime Britain as a backdrop for Gothic horror tropes. It does not prioritize secularism or institutional critiques, staying within a Western horror framework.
Disability Representation
There is no evidence of characters with disabilities possessing agency. Physical vulnerability serves as a plot device rather than a nuanced portrayal of neurodivergence or illness.
Strengths
- The film effectively utilizes its historical WWII setting to build atmospheric tension and Gothic horror elements.
Areas for Improvement
- The narrative lacks diverse casting and fails to include characters from marginalized identities.
- The film relies on traditional genre archetypes instead of subverting established gender or social hierarchies.
- There is a lack of nuanced representation regarding disability or neurodivergence.
AI Analysis
The film functions as a conventional period-specific horror piece that prioritizes atmosphere over social exploration. It relies heavily on established genre tropes and historical settings that limit the scope of its representation. Because the narrative centers on a homogeneous group of evacuees in WWII-era England, it lacks intersectional depth. The characters largely fulfill traditional roles rather than challenging social or identity-based hierarchies. Ultimately, the production maintains a standard approach to its era, offering little in the way of diverse perspectives or modern social critique.
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