The film lacks any evidence of non-cisnormative identities. The narrative follows traditional heteronormative structures centered on the primary conflict between the heroes and the antagonist.

The story centers on male protagonists Pak and Ha alongside a male villain. It adheres to conventional martial arts hierarchies without subverting traditional gender roles.

As a Hong Kong production, the film features a predominantly East Asian cast. It centers East Asian cultural heritage through the lens of Shaolin monks.

The plot utilizes Shaolin motifs of spiritual mastery. However, it pits these traditions against a mad scientist trope rather than offering deep sociopolitical critique.

Themes of bodily alteration exist through the reanimation of the dead. These elements serve as horror devices rather than meaningful representations of disability or neurodivergence.