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Twice Upon a Time

Twice Upon a Time

Representation Score

7.8/10

Good

1983

PG

Director

John Korty, Charles Swenson

Runtime

73 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Twice Upon a Time stands out for its sophisticated subversion of fantasy archetypes. By empowering female characters and critiquing institutional corruption, it moves beyond simple morality plays common in 1980s animation. However, the film remains limited in its representation of specific identities. It offers little visibility for LGBTQ+ individuals or characters with disabilities, focusing instead on abstract, surrealist world-building. Ultimately, the film's strength lies in its postmodern approach to power structures. It replaces the 'happily ever after' mythos with a nuanced look at systemic control and the necessity of disrupting the status quo.

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Category Breakdown

Does Twice Upon a Time have LGBTQ+ representation?

Limited

The film does not explicitly depict LGBTQ+ identities or non-straight relationships. Instead, it focuses on deconstructing fairy-tale clichés.

How does Twice Upon a Time portray gender?

Good

The film challenges traditional gender roles by giving the princess a significant role in the plot. She evolves from a passive figure to an active participant.

How racially and ethnically diverse is Twice Upon a Time?

Fair

The film's surrealist animation avoids traditional racial stereotypes. However, it lacks a diverse human cast, using abstract designs instead.

How does Twice Upon a Time represent religion and culture?

Excellent

The film critiques Western institutions by portraying monarchy and bureaucracy as corrupt and oppressive. It uses moral relativism to complicate the standard good-versus-evil binary.

Does Twice Upon a Time include disability representation?

Limited

The film does not portray characters with visible or invisible disabilities.

Present on Screen

  • Empowers female characters by giving them a significant role in the plot.
  • Critiques monarchy and corrupt bureaucratic institutions.
  • Uses surrealist, non-humanoid designs to avoid traditional racial stereotypes.

Limited or Absent

  • Lacks explicit representation of LGBTQ+ identities or non-straight relationships.
  • Provides no meaningful portrayal of characters with physical or neurodivergent disabilities.
  • Does not feature a diverse human cast reflecting real-world demographics.

Official Synopsis

In the world of the Murkworks where nightmares are made, the evil Synonamess Botch hatches a scheme to make non-stop nightmares. Only Ralph and Mumford, misfits from the cheery land of Frivoli where good dreams are made, can stop him.

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