Brasileirinho
2005
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Representation score: 6.2 out of 10
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That´s What Music is For
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Representation Score
6.7/10
Good
2013
Director
Bel Bechara, Sandro Serpa
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary serves as a vital piece of cultural documentation by centering the history and aesthetics of 'Os Mulheres Negras.' By focusing on the world's third smallest big band, the film elevates Black women's ability to drive the story within a musical genre traditionally dominated by men and Eurocentric standards. The film excels in racial and gender representation, providing a platform for underrepresented voices to discuss creation and identity. It successfully disrupts conventional musical histories by placing diverse identities at the forefront of the narrative. However, the film lacks visible engagement with LGBTQ+ themes or disability representation. While its focus is intentionally niche, these specific areas remain unaddressed in the current scope of the work.
Category Breakdown
Does That´s What Music is For have LGBTQ+ representation?
The film focuses on race and gender through the lens of the musical collective. There is no explicit evidence of queer narratives or non-straight relationships within the provided context.
How does That´s What Music is For portray gender?
The documentary centers on a female-led ensemble, disrupting male-dominated big band hierarchies. It prioritizes the intellectual and creative contributions of women in the musical sphere.
How racially and ethnically diverse is That´s What Music is For?
The work centers Black female musicians as the primary narrative drivers. It highlights Black musical excellence and challenges Eurocentric canons by documenting specific racialized aesthetics.
How does That´s What Music is For represent religion and culture?
The film engages with cultural preservation by focusing on a specific Black musical lineage in Brazil. This approach critiques the dominance of Western-centric musical structures.
Does That´s What Music is For include disability representation?
There is no information available regarding the depiction of physical or neurodivergent disabilities in this documentary.
Present on Screen
- Centers Black female leadership and ability to act within the big band tradition.
- Challenges Eurocentric musical canons through a focus on Black aesthetic history.
- Provides significant cultural documentation of a specific Brazilian musical lineage.
Limited or Absent
- Lacks explicit representation or narrative focus regarding LGBTQ+ identities.
- Provides no visible information or depiction of disability representation.
Official Synopsis
Documentary about “Os Mulheres Negras” , the world´s third smallest big band, discussing music, aesthetics and creation in Brazil from the 80´s till nowadays.
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