The American Standards
2008

2015
Director
Patrick Underwood
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
Womanizing workaholic Neil returns to Michigan to reunite with his brother after their father dies. As they try to sell the family home, their interactions are as chilly as the frost-covered February landscape. But Neil’s facade thaws under the glow of his brother’s charismatic fiancée. Chicago writer-director Patrick Underwood crafts a big-hearted romantic melodrama about rebuilding.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a heteronormative romantic structure. There is no evidence of non-cisnormative identities or critiques of heteronormativity present in the narrative.
Gender Representation
A male protagonist's emotional growth is catalyzed by a female character. This dynamic relies on female emotional labor to facilitate the male lead's development.
Racial & Ethnic Diversity
The story focuses on a homogeneous familial unit in Michigan. There is no indication of a multi-ethnic cast or diverse racial backgrounds.
Religious & Cultural Diversity
Themes of grief and inheritance lean toward traditional Western values. The narrative emphasizes restoring interpersonal connections within a standard social framework.
Disability Representation
The film contains no mention of characters navigating physical, neurodivergent, or mental health conditions.
Strengths
Areas for Improvement
AI Analysis
The Middle Distance operates as a conventional romantic melodrama that adheres to established genre tropes. The narrative focuses on a standard familial unit and a heteronormative romantic arc, providing little room for intersectional complexity. While the film explores emotional rebuilding and grief, it does so through a traditional lens. The character dynamics and setting suggest a story rooted in Western social norms rather than a subversion of them. Ultimately, the film lacks the presence of diverse racial, ethnic, or LGBTQ+ identities, resulting in a narrow demographic scope.
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