3 Feet Ball and Souls
2018
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Diversity score: 5.2 out of 10
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One More Shot
2025
Director
Nicholas Clifford
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
New Years Eve. 1999. Minnie discovers a bottle of time travelling tequila. Each shot takes her back to the start of the night - giving her a bottle’s worth of shots to win back her old flame Joe, and change the course of her millennium.
Where to Watch
Diversity & Representation
Overall Score
5.4/10
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on the romantic tension between Minnie and her former male partners. There is no explicit evidence of LGBTQ+ characters or non-heteronormative identities within the plot.
Gender Representation
Minnie is a professional anaesthesiologist who drives the narrative through her own agency. The film avoids feminine archetypes by focusing on her personal dissatisfaction and temporal mastery.
Racial & Ethnic Diversity
The cast includes multicultural actors like Aisha Dee and Pallavi Sharda. While this moves beyond an Anglo-Saxon ensemble, it is unclear if these characters possess high narrative agency.
Religious & Cultural Diversity
The film is rooted in a specific Western 1999 New Year's Eve setting. It explores individual experience and subjective morality rather than systemic or anti-capitalist critiques.
Disability Representation
The available plot details and synopsis do not mention any characters with visible or invisible disabilities.
Strengths
- Centering a female professional as the primary driver of the science-fiction plot.
- A multicultural cast that avoids a strictly Anglo-Saxon ensemble.
- Subverting the 'perfect life' trope through a character-driven, non-linear structure.
Areas for Improvement
- Lack of explicit LGBTQ+ representation or non-heteronormative romantic dynamics.
- Limited evidence of characters with disabilities within the narrative.
- A reliance on traditional heteronormative romantic structures for the central conflict.
AI Analysis
One More Shot succeeds in subverting gender tropes by placing a professional woman in control of a science-fiction anomaly. Minnie’s journey is defined by her internal agency rather than her relationship to men. However, the film remains tethered to a traditional heteronormative romantic framework. The central conflict revolves around her past connections with male partners, leaving little room for queer perspectives. While the casting shows a commitment to multiculturalism, the narrative lacks depth regarding intersectional identities or systemic social critiques, resulting in a moderately progressive but conventional experience.
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