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One Third

Name: One Third
Director: Hiroshi Shinagawa
Released: 2014
Duration: 119 min

Representation Score

3.5/10

Limited

2014

Director

Hiroshi Shinagawa

Runtime

119 minutes

Average Rating

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New Showbiz Analysis

One Third operates as a typical crime drama that follows established genre conventions. The plot focuses on a small group of men, limiting the scope of social representation and depth. The film highlights the breakdown of social contracts and individual greed rather than intentional social disruption. Although the cabaret club setting suggests a diverse social environment, the central conflict remains narrow and male-focused. Ultimately, the work lacks the progressive intent needed to challenge demographic frameworks, opting for a traditional examination of criminal morality.

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Category Breakdown

Does One Third have LGBTQ+ representation?

Limited

The story revolves around three male characters involved in a bank robbery. There is no depiction of same-sex intimacy or non-binary gender identities within the main plot.

How does One Third portray gender?

Fair

The narrative is dominated by male characters, with a manager, a worker, and a patron driving the story. Women play minor roles, and there is no challenge to traditional gender dynamics.

How racially and ethnically diverse is One Third?

Fair

As a Japanese production, the film reflects its cultural context. There is no indication of diverse ethnic backgrounds or non-human metaphors in the central character arcs.

How does One Third represent religion and culture?

Fair

The film examines greed and systemic corruption through a criminal perspective. While it questions singular moralities, it does not emphasize specific anti-capitalist or anti-Western ideologies.

Does One Third include disability representation?

Minimal

The available information does not mention characters dealing with physical, neurodivergent, or mental health conditions. There is no data on characters with disabilities.

Present on Screen

The narrative challenges singular moralities by exploring themes of greed and situational ethics.
The film avoids traditional domestic or religious hierarchies by focusing on a underrepresented criminal element.

Limited or Absent

The story lacks women's ability to drive the story, as the primary drivers of the plot are exclusively male.
There is no representation of LGBTQ+ characters or non-cisgender identities in the central narrative.
The film does not actively seek to subvert traditional social or demographic frameworks.

Official Synopsis

The manger of cabaret club "Hanibani" named Shū, a worker at the club named Koji, and one of the patrons named Ken succeed in robbing a bank. They agree to divide the stolen money equally into three, but they become consumed by greed and try to get more than their share. In addition, a renowned figure is after their money.

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