
Manifesto
1988

1985
RDirector
Dušan Makavejev
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own soft drinks, and visits the valley to see why. After "the Kid's" persistence is tested he's given a tour of the man's plant, and they begin talking of a joint venture. Things get more complicated when the Coca-Cola man begins falling in love with his temporary secretary, who seems to have connections to the valley.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on a heteronormative romance between the marketing protagonist and his secretary. There is no explicit evidence of LGBTQ+ characters or critiques of heteronormativity within this specific plot.
Gender Representation
The relationship between the marketing guru and his secretary suggests a potential subversion of corporate hierarchies. The secretary's mysterious connections imply she possesses agency that disrupts the trope of the passive subordinate.
Racial & Ethnic Diversity
The conflict between a global corporation and a local producer serves as a proxy for discussions on cultural hegemony. However, the specific racial composition of the cast remains unstated.
Religious & Cultural Diversity
The film offers a strong critique of global capitalism and market penetration. It pits a massive multinational against a self-sufficient local economy, challenging the dominance of Western commercialism.
Disability Representation
The narrative provides no information regarding characters with visible or invisible disabilities.
Strengths
Areas for Improvement
AI Analysis
The film functions primarily as a critique of systemic commercial expansion rather than a study of identity-based diversity. Its narrative strength lies in deconstructing capitalist structures and the tension between global interests and local autonomy. While the film lacks explicit markers for LGBTQ+ or racial representation in its core plot, it uses its setting to explore themes of cultural hegemony. The struggle between the Coca-Cola subsidiary and the independent valley producer highlights the encroachment of Western commercialism. Ultimately, the work leans into cultural subversion. It replaces traditional corporate morality with an eccentric, perhaps anarchic, worldview that challenges the inevitability of market dominance.

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