
The Queens
2019

Representation Score
Good
1968
NRDirector
Frank Simon
Runtime
68 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Queen acts as a vital archival record of the 1960s drag subculture. It succeeds by providing a platform for identities that have been excluded from mainstream cultural narratives, particularly through its focus on queer ability to act and the deconstruction of gendered performance. While the film excels in LGBTQ+ and cultural representation, it lacks clear evidence regarding racial the way different parts of someone's identity overlap or disability representation. The focus remains primarily on the subversion of gender norms within a specific urban social ecosystem. Ultimately, the documentary's strength lies in its observational approach to a community that thrives on the fringes of respectable society, offering a rare look at non-traditional community institutions.
Category Breakdown
The film focuses on a community that has been historically sidelined in mainstream media. By highlighting Jack/Sabrina and Miss Harlow, it gives real power to those with non-conforming gender expressions. The narrative itself challenges the idea that everyone is straight or cisgender.
Drag performance disrupts traditional gender roles and blurs the lines between masculinity and femininity. The camp aesthetic showcases femininity as a skillful, performative art. Characters play a significant role in shaping their identities.
The film captures a specific urban environment within the 1967 New York City drag scene. While it aims to subvert gender norms, there is less emphasis on a diverse racial makeup. The primary overview does not highlight characters who reflect more than one aspect of diversity.
The documentary highlights a community that exists outside conservative societal norms. It prioritizes a unique social code that operates outside typical Western middle-class expectations. This challenges the traditional family and religious structures.
There is no specific information regarding the portrayal of physical or neurodivergent disabilities. Therefore, no assessment of representation in this category can be made.
Present on Screen
Limited or Absent
Official Synopsis
In 1967, New York City is host to the Miss All-American Camp Beauty Pageant. This documentary takes a look behind the scenes, transporting the viewer into rehearsals and dressing rooms as the drag queen subculture prepares for this big national beauty contest. Jack/Sabrina is the mistress of ceremonies, and their protégé, Miss Harlow, is in the competition. But, as the pageant approaches, the glamorous contestants veer from camaraderie to tension.

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