
Possessed
2009

Representation Score
Good
2016
NRDirector
Na Hong-jin
Runtime
156 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Wailing is a sophisticated horror film that delves into cultural and post-colonial themes. It uses the tension between local traditions and foreign outsiders to explore societal anxieties and the breakdown of communal order. However, the film's scope is limited to traditional domestic and straight-centered structures. It lacks LGBTQ+ representation and treats physical ailments as mere plot devices rather than nuanced character studies. Ultimately, the film's strength lies in its intellectual critique of authority and morality, even as it remains confined to traditional domestic frameworks.
Category Breakdown
The film maintains a strictly straight-centered structure. It focuses entirely on a traditional domestic unit consisting of a husband, wife, and daughter.
The film challenges traditional gender roles by taking away the male protagonist's control and competence. Women play key roles in driving the emotional stakes, but they are often confined to domestic settings.
A mysterious Japanese man serves as a central figure, exploring tensions between indigenous identity and foreign influence. This highlights post-colonial anxieties and the friction between local and foreign cultures.
The story questions both Christian and shamanistic beliefs, portraying a world where institutional authority fails to offer clear moral guidance. This creates a sense of moral relativism and uncertainty.
A mysterious sickness affecting the villagers drives the horror elements. However, these physical and mental conditions are primarily used as plot devices rather than as detailed character studies.
Present on Screen
Limited or Absent
Official Synopsis
A stranger arrives in a little village and soon after a mysterious sickness starts spreading. A policeman is drawn into the incident and is forced to solve the mystery in order to save his daughter.

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