
Goodbye to All That
2014

Representation Score
Limited
2016
Director
Johan Brisinger
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a character-driven exploration of mid-life transitions, relying heavily on traditional romantic-comedy clichés. While it offers some subversions of gendered expectations, it lacks broader multi-layered complexity. Gender representation stands out with the protagonist's active role and the male lead's departure from traditional masculine roles. However, these changes remain personal rather than systemic. The production remains focused on a localized Swedish social circle without engaging significantly with diverse identity politics.
Category Breakdown
The film centers on heterosexual relationships and does not include any LGBTQ+ characters or non-straight-centered identities.
Marianne takes control by initiating a separation from her long-standing marriage. Gustaf challenges traditional masculine stereotypes by leaving his stable career to pursue poetry.
The story focuses on a localized, homogeneous social circle and does not feature non-white characters in central roles.
The film explores individual fulfillment within a secular, modern context. It avoids broader critiques of Western family structures or religious institutions.
There is no mention of characters dealing with physical, neurodivergent, or mental health disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Marianne, 44, has been living with the lawyer Gustaf in a conventional sexless marriage for way too long. She wants a separation, but Gustav settles for a trial separation. As Marianne indulges in being newly single, Gustaf is perplexed by the sudden turn of events and in his confusion makes a completely irrational career change: he quits his job to start writing poetry. Meanwhile, Marianne meets the artist Rodolfo, the complete opposite of Gustaf; intriguing, emotional, impulsive. And horny.

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