
Cheetahs Up Close with Bertie Gregory
2026

2016
Director
Sergey Yastrzhembsky
Runtime
87 minutes
Average Rating
No ratings yetSynopsis
Footage of the investigation documentary telling about the extermination of African elephants lasted almost three years. The film crew traveled throughout 30 countries to make a route of ivory smuggling and to find out the true culprit of these crimes against elephants.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The documentary focuses entirely on the investigation of elephant extermination and smuggling routes. There are no LGBTQ+ characters or narratives addressing non-heteronormative identities.
Gender Representation
The film centers on wildlife poaching and ivory smuggling systems. It lacks discernible subversion of gender hierarchies or any focus on gendered character arcs.
Racial & Ethnic Diversity
The narrative spans 30 countries, necessitating a global scope. While the film likely features diverse populations across Africa and Asia, the representation is functional rather than character-driven.
Religious & Cultural Diversity
The film operates within a framework of international law and environmental protection. It functions primarily as a reportage of systemic criminal activity rather than cultural deconstruction.
Disability Representation
There is no evidence of individuals with visible or invisible disabilities being integrated into the narrative or used as central figures.
Strengths
Areas for Improvement
AI Analysis
Ivory. A Crime Story is a specialized investigative documentary that prioritizes environmental justice over human-centric social dynamics. Its narrative architecture is built around tracking the logistics of illegal wildlife trafficking across 30 countries. Because the film's primary goal is to expose the mechanics of ivory smuggling, it lacks the framework to engage with identity politics, gender dynamics, or interpersonal social hierarchies. The focus remains strictly on ecological crime and international criminal routes. While the global scope provides incidental racial and ethnic diversity through its geographical breadth, the film does not offer intentional intersectional depth or character-driven cultural exploration.

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