
The Ouija Board
1920

Representation Score
Limited
1938
PassedDirector
Les Kline
Runtime
7 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Ghost Town Frolics is a product of its era, relying on traditional comedic clichés centered on supernatural and animal characters. The film prioritizes situational slapstick over exploring identity or systemic power dynamics. Because the cast is comprised of ghosts and animals, the film avoids human social hierarchies entirely. This lack of human presence results in a narrative that does not engage with the social or political realities of 1938.
Category Breakdown
The film focuses on supernatural slapstick involving ghosts and animals. There are no LGBTQ+ characters or critiques of the assumption that everyone is straight or cisgender.
The narrative centers on ghosts, chimpanzees, and a dog. It lacks human gender dynamics, women's ability to drive the story, or the deconstruction of male dominance.
The setting features an abandoned hotel inhabited by ghosts and animals. There is no indication of a diverse human cast or racial metaphors.
Ghosts engage in drinking, gambling, and collecting relief checks. These elements frame social dysfunction through comedic chaos rather than a critique of systemic issues.
No characters with visible or invisible disabilities are present. The mopey dog and idle ghosts serve as standard comedic clichés rather than meaningful portrayals.
Present on Screen
Limited or Absent
Official Synopsis
In an abandoned hotel, idle ghosts get drunk, play slot machines and line up for their relief checks. Two chimpanzees and their big mopey dog venture inside. The ghosts are thrilled at this new opportunity for mischief.

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