
Ouija House
2018

2025
RDirector
Kris Collins
Runtime
77 minutes
Average Rating
No ratings yetSynopsis
Paranormal investigators Kris, Celina and their videographer Jay are rerouted to an abandoned house deep in the woods, where they find themselves facing a force unlike anything they've encountered before. As the night spirals into chaos, missing crew members and eerie phenomena hint at an ancient, malevolent presence watching their every move.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film contains no explicit mention of LGBTQ+ characters or same-sex intimacy. The narrative focuses entirely on the supernatural mechanics of the found-footage horror genre.
Gender Representation
Kris, a female lead, disrupts traditional hierarchies by acting as the primary driver of the plot. Her unilateral decision-making demonstrates high agency and intellectual dominance over the group.
Racial & Ethnic Diversity
The inclusion of Boy Chandra Kusuma suggests some ethnic diversity within the ensemble. However, the narrative lacks evidence of deep intersectional integration or a non-white majority.
Religious & Cultural Diversity
The story explores situational ethics through Kris's pursuit of professional ambition. The found-footage format offers a decentralized, anti-authoritarian narrative style rather than a critique of institutions.
Disability Representation
There are no documented depictions of visible or invisible disabilities. The plot summaries do not include any characters representing neurodivergence or mental health conditions.
Strengths
Areas for Improvement
AI Analysis
House on Eden is a character-driven horror film that finds its strength in subverting gendered leadership roles. By centering a female protagonist who exerts significant control over the group's trajectory, the film avoids submissive tropes and prioritizes individual agency. However, the film lacks intersectional depth. While the cast shows moderate ethnic diversity, there is no evidence of LGBTQ+ representation or disability inclusion. The narrative remains focused on the mechanics of supernatural horror rather than identity politics. Ultimately, the film's progressive value is tied to its centralized female authorship and the protagonist's autonomy, even as it misses opportunities for broader cultural complexity.

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