The film contains no evidence of non-heteronormative identities. The plot focuses entirely on physical comedy and the recovery of a material object.

A female character serves as a plot catalyst to initiate the detectives' mission. However, she lacks significant agency, as the male protagonists drive the action.

The narrative centers on a homogeneous group of protagonists within a Western setting. It reflects the standard, limited racial tropes common to 1930s cinema.

The story follows a traditional morality play involving good versus bad characters. It adheres to established Western genre conventions rather than subverting them.

Curly’s extreme reaction to mice is used as a slapstick tool. This comedic trait does not provide a meaningful or nuanced portrayal of disability.