You are here:

La cité des neuf portes

Name: La cité des neuf portes
Director: Stéphane Marti
Released: 1977
Duration: 68 min

Representation Score

5.6/10

Fair

1977

Director

Stéphane Marti

Runtime

68 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Stéphane Marti’s work disrupts conventional narrative and commercial structures. Utilizing the Super-8 format and focusing on the sacredness of the human body, the film moves away from mainstream aesthetic codes. The production excels in its thematic exploration of same-sex attraction and rejection of traditional Western media norms. These elements suggest an intentionality aimed at challenging the standard cinematic perspective. However, the film lacks specific information about character-driven roles and the narrative contexts of its diverse cast. This makes it hard to assess how ethnic and gender identities are used in the plot.

Watch this, not that →

Category Breakdown

Does La cité des neuf portes have LGBTQ+ representation?

Good

The film centers on themes of same-sex attraction and intimacy, exploring desires and relationships outside traditional heterosexual norms.

How does La cité des neuf portes portray gender?

Fair

The focus on face paint and the human body highlights the performative aspects of gender. However, the specific roles and actions of individual characters remain unclear.

How racially and ethnically diverse is La cité des neuf portes?

Fair

The cast features diverse names like Tuan La Doll and Nuyen Lee, indicating a mix of ethnicities and backgrounds. The film adopts a globalized, experimental style.

How does La cité des neuf portes represent religion and culture?

Good

By emphasizing the sacred and experimental forms, the film critiques secular, consumerist structures and standard narrative conventions of mainstream cinema.

Does La cité des neuf portes include disability representation?

Minimal

There is no documented evidence regarding the portrayal of physical or neurodivergent disabilities within the film.

Present on Screen

The film challenges traditional heterosexual norms by focusing on same-sex attraction.
The emphasis on the sacred and the human body subverts conventional cinematic aesthetics.
Diverse names in the cast suggest a mix of ethnic backgrounds.

Limited or Absent

More specific information about character roles would help assess gender representation better.
Clarifying how ethnic identities are utilized within the narrative context would improve understanding.
Including representation of physical and neurodivergent disabilities would enhance inclusivity.

Official Synopsis

Filmmaker and teacher, Stéphane Marti has been researching experimental cinema as an art form liberated of aesthetic codes and the economics of big budget cinema. His work is primarily focused on the themes of the sacred and the human body. An avid supporter of the Super-8 format, he has been fighting for its merits as a tool. He has used this format film after film and has been sharing his experiences with new filmmakers during his workshops at the Sorbonne’s College of the Arts (Paris I).

How are these scores produced? →