
Razzia
1955

Representation Score
Minimal
1957
NRDirector
John Gilling
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Interpol is a conventional 1957 crime procedural that reflects the social and cinematic norms of its era. The narrative prioritizes a linear 'cops vs. robbers' framework, focusing on enforcing established legal hierarchies rather than challenging systemic norms. The film's structure reinforces mid-century social expectations, particularly regarding gender and racial homogeneity. While the international locations provide geographic variety, the casting and character roles remain deeply rooted in traditional Western perspectives. Ultimately, the film functions as a standard genre piece that upholds existing institutional structures without attempting to subvert or deconstruct them.
Category Breakdown
The film follows a strict mid-century framework that assumes everyone is straight and cisgender. There is no representation of non-cisgender identities or same-sex relationships.
Female characters like Gina Broger play important roles but have limited independence and mostly act as catalysts for male-driven plots within traditional hierarchies.
The cast is predominantly white and European-focused. Despite the film's setting in various international cities, the narrative does not explore racial diversity or challenge Anglo-centric views.
The story emphasizes traditional Western structures of authority and legal order. It focuses on restoring order through established policing mechanisms without critiquing institutions.
There is no representation of physical or neurodivergent disabilities. Characters are portrayed through standard genre archetypes without addressing disability.
Present on Screen
Limited or Absent
Official Synopsis
Spurred on by the death of his drug-addicted sister at the hands of ruthless narcotics kingpin Frank McNally, U.S. drug enforcement agent Charles Sturgis embarks on an investigation that takes him from New York to London, Lisbon, Rome, Naples and finally Athens in pursuit of McNally's shapely associate, Gina Broger.

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