
The Born Losers
1967

Representation Score
Good
1969
Director
Carlo Lizzani
Runtime
101 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a critique of systemic authority and class dynamics, emphasizing the importance of social change. It successfully challenges traditional gender roles by placing women in active combat and logistical roles within the partisan struggle. However, the narrative is confined to a specific historical context, limiting its scope in terms of racial and LGBTQ+ diversity. The film's strength lies in its portrayal of collective action and the dismantling of oppressive institutions.
Category Breakdown
The film focuses solely on the socio-political realities of the Italian Resistance. There are no LGBTQ+ characters or representations of non-straight relationships.
Women are shown as active participants in the resistance movement, taking part in combat and logistics. They play a significant role in driving the story forward.
The cast is mostly made up of people from similar backgrounds, reflecting the local nature of the partisan movement. It highlights the specific regional identities of the Italian working class and peasantry.
The story challenges established power structures by portraying Fascist and Nazi occupation as oppressive. It emphasizes the ability to act of the working class and the need to dismantle state institutions.
There is no significant focus on visible or invisible disabilities. Characters are defined by their political affiliations rather than by any physical or cognitive differences.
Present on Screen
Limited or Absent
Official Synopsis
Based on the story of real life Sardinian bandit Graziano Mesina.

1967

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