The film centers on a non-cisnormative existence through the life of a castrato. It explores a historical third-gender space where vocal expression creates tension between biological sex and gendered performance.

Masculinity is disrupted by a protagonist whose power stems from feminized vocal capabilities. The narrative subverts traditional hierarchies by linking social influence to a departure from standard masculine archetypes.

Set within the European operatic tradition, the cast is predominantly white and Anglo-European. It reflects the 18th-century Mediterranean landscape without seeking to diversify through non-Western perspectives.

The film critiques Western institutions like the Church, portraying them as drivers of trauma. It frames physical sacrifice as a pursuit of aesthetic truth rather than a simple moral transgression.

The protagonist's physical alteration is treated with agency rather than mockery. The narrative explores the psychological implications of his altered state as an intersection of identity and empowerment.