
The Last Exorcist
2020

Representation Score
Limited
2022
Director
Markus Fischer
Runtime
119 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film's strength lies in its subversion of gender roles, placing a woman in a position of a significant role in driving the story against a backdrop of historical military aggression. By centering a midwife as a protector, the story moves beyond traditional nurturing clichés. However, the film lacks representation for LGBTQ+ identities and characters with disabilities. The racial and ethnic makeup of the community is also left undefined, which limits the scope of its inclusivity. Ultimately, the film functions as a critique of systemic oppression and historical authority, though its overall diversity is constrained by a lack of visible multi-layered identities.
Category Breakdown
The film does not include any explicit references to LGBTQ+ characters or non-cisgender identities. It does not address issues related to the assumption that everyone is straight or cisgender.
Christine, a midwife, plays a significant role in driving the story. She challenges traditional hierarchies by using her position to counter military aggression and navigate a male-dominated conflict.
The setting involves the Teutonic Knights, but the ethnic composition of the village remains unspecified. The musical score reflects a typical period piece with limited documented diversity.
The narrative critiques traditional power structures by framing a pact with the devil as a response to the terror of religious military orders. It challenges moral absolutism.
There is no evidence of characters with physical, sensory, or neurodivergent disabilities in the film's description.
Present on Screen
Limited or Absent
Official Synopsis
The courageous young midwife Christine makes a pact with the devil to save her village from the brutal terror of the Teutonic Knights. Punished by a spider plague, Christine goes from savior to hunted.

2020

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1993
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