
È arrivato mio fratello
1985

Representation Score
Minimal
1988
Director
Pipolo, Castellano
Runtime
104 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mia moglie è una bestia is a traditional Italian comedy that relies on established social hierarchies. The central conflict involves a man trying to civilize a prehistoric woman, reinforcing patriarchal control. The film prioritizes modern social norms over alternative lifestyles, presenting the cavewoman's behavior as disruptive and in need of correction. This approach lacks depth and fails to challenge systemic structures or offer meaningful subversion. Ultimately, the production serves as a typical commercial comedy, focusing on slapstick and situational humor rather than diverse storytelling.
Category Breakdown
The film follows a traditional romantic storyline and does not include any non-straight or non-cisgender identities or same-sex relationships.
The plot relies on traditional gender hierarchies, where a man tries to transform a woman into a modern ideal. Female characters have limited influence, mainly causing comedic situations.
The story centers on a Milanese character and a prehistoric figure. It lacks a diverse cast, reflecting a homogeneous European setting.
The narrative explores the tension between modernity and primitivism using fish-out-of-water clichés. It emphasizes modern social norms as the standard.
There are no characters with visible or invisible disabilities in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Gianni (Boldi) is an ad agent from Milan vacationing in the mountains. Inside a cave he stumbles upon a cavewoman (Grimaldi) frozen intact. Of course she retained all of her young beauty and immediately Gianni is attracted to her, but after he begins thinking she is best left behind she follows him around creating havoc in his normal life. Gianni believes he can transform her into a beautiful modern day woman.

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