
High-Rise
2015

Representation Score
Good
2012
RDirector
David Cronenberg
Runtime
109 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Cosmopolis is a film that prioritizes thematic and cultural subversion over broad demographic representation. It succeeds in deconstructing Western capitalist institutions and the moral fluidity of a digital age, offering a sharp critique of modern finance. However, this intellectual depth comes at the cost of social diversity. The film remains trapped within a narrow, elite socioeconomic vacuum, resulting in low scores for racial, LGBTQ+, and disability representation. Ultimately, the work functions as a study of alienation within a homogeneous class, using its lack of diversity to mirror the exclusionary nature of the hyper-capitalist world it depicts.
Category Breakdown
The film focuses almost exclusively on heterosexual relationships and power dynamics. There is no presence of non-straight identities or narratives that critique the assumption that everyone is straight or cisgender.
Gender hierarchies are disrupted by prioritizing wealth and technology as drivers of action. Masculinity is shown to be in a state of decline, subverting the stable leader cliché through transactional power dynamics.
The setting emphasizes a homogeneous, upper-class socioeconomic stratum in Manhattan. The narrative lacks representation of different racial backgrounds, reflecting the exclusionary nature of the elite digital and real estate circles.
The film provides a profound critique of late-stage capitalism and Western institutional stability. It portrays digital capital as a predatory force that erodes traditional human connections and moral certainty.
The narrative explores existential alienation rather than specific physical or mental health conditions. It lacks visible or neurodivergent characters portrayed with specific ability to act or representative identities.
Present on Screen
Limited or Absent
Official Synopsis
Riding across Manhattan in a stretch limo during a riot in order to get a haircut, a self-made 28-year-old billionaire asset manager's life begins to crumble.

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