The film lacks any visible non-cisnormative identities or same-sex intimacy. Character identities remain secondary to the central supernatural threat of the witch.

A central female antagonist is depicted through the 'monstrous feminine' trope. Her power is framed as grotesque and chaotic, reinforcing traditional gender hierarchies.

The ensemble lacks visible intersectional diversity. The film appears to rely on standard horror casting typical of its era and genre.

The story follows a traditional morality framework centered on physical corruption. It lacks any significant sociopolitical or secularist critique.

Physical deformity and biological corruption serve as primary tools of terror. The film uses ugliness as a signifier of evil rather than portraying disability with dignity.